Book Description

From board games to beauty pageants, a smart, witty, pop-culture history of the perilous path to achieving the feminine ideal.

Deluged by persuasive advertisements and meticulous (though often misguided) advice experts, women from the 1940s to the 1970s were coaxed to "think pink" when they thought of what it meant to be a woman. Attaining feminine perfection meant conforming to a mythical standard, one that would come wrapped in an adorable pink package, if those cunning marketers were to be believed. With wise humor and a savvy eye for curious, absurd, and at times wildly funny period artifacts, Lynn Peril gathers here the memorabilia of the era —from kitschy board games and lunch boxes to outdated advice books and health pamphlets—and reminds us how media messages have long endeavored to shape women's behavior and self-image, with varying degrees of success.

Vividly illustrated with photographs of vintage paraphernalia, this entertaining social history revisits the nostalgic past, but only to offer a refreshing message to women who lived through those years as well as those who are coming of age now. 8 pages of color, 45 black-and-white illustrations.

(Book descriptions and reviews provided by Amazon.com)

Basically it's great distinction is that it's the first book of 2007.

Yippee!

(Book descriptions and reviews provided by Amazon.com)

Stewart O'Nan's ninth novel, The Good Wife, begins with that classic harbinger of bad news: A phone call in the middle of the night. Small-town housewife Patty Dickerson, pregnant with her first child, has been waiting in bed for her husband Tommy to get home. When the call comes, it's from jail. Tommy has been arrested for murder after a robbery gone awry. He doesn't make it home for 28 years.

With his usual practicality, O'Nan kills the hope off quickly in The Good Wife. This isn't a novel of beating the odds but of enduring them. We follow Patty through her husband's long incarceration as she moves in with family, gets a series of low-paying jobs, remains faithful to Tommy, and raises their son Casey alone. These aren't unique circumstances--although they rarely form the stuff of fiction--and these aren't unique, unforgettable characters. Patty Dickerson could be anyone, and that's the point. This is a story of ordinary lives and small graces. O'Nan's refusal to dress things up (or down) is part of the charm of this clear-sighted, uncompromising novel. --Regina Marler